Tuesday, July 28, 2009

THE HURT LOCKER

The Hurt Locker opens with a quote from author Chris Hedges: "war is a drug." Following this unsubtle statement of theme, the film goes on to support the idea that "war is a drug" with skillfull filmmaking, but ultimately lets us down because it doesn't illuminate anything further.
The film is very good. The tension and action are second to none. You couldn't ask more of the cast, especially the wisely- casted unknowns, whose performances are so real you feel like you're watching a documentary. I expect to see Jeremy Renner get a lot more high profile work now after his excellent turn as a cavalier bomb-defuser. The locations and realism of the operations make you believe that this indeed is what things must be like in 2008 Iraq. But while the film achieves what it sets out to do, what it sets out to do isn't that compelling. The film tries to avoid becoming a full-blown story, and keeps us from ever fully knowing the characters, yet it asks us to be there for core emotional moments that are cliches of the war genre: the green soldier who struggles to keep his wits together (see The Deer Hunter for a better example) and the banality of coming home after experiencing the adrenaline rush of combat (also see The Deer Hunter). Saying that "war is a drug" might be a new take on the genre, but through the entire film, we come to understand nothing more than that.

Monday, July 20, 2009

MISSISSIPPI DAMNED update

Mississippi Damned won The Grand Jury Award for Outstanding US Dramatic Feature Film at Outfest 2009!

Congratulations to Tina and Sheda!

Thursday, July 16, 2009

MISSISSIPPI DAMNED Los Angeles Premiere


Riding a wave of buzz after winning several Best Feature prizes at festivals across the country, Mississippi Damned premiered this week to a sold-out crowd in Los Angeles. The film is the work of my friend and colleague Tina Mabry, whose stunning directorial debut concerns escaping the cycles of poverty, abuse, and addiction. Shot in just 22 days and featuring two different period pieces, the film boasts across the board excellent performances, devastating and realistic drama, and a patient, assured directorial hand. The large ensemble cast is extremely talented, but Chasity Kershal Hammitte stands out in her honest and affecting portrayal of Leigh. Boldly dramatic but never melodramatic, Mississippi Damned is as real as cinema gets.

You can watch the trailer here: http://www.mississippidamned.com/

Friday, July 10, 2009

The Last Great Film I Saw Was...


Anvil! The Story of Anvil, 2009, dir. Sacha Gervasi.
http://www.imdb.com/title/tt1157605/
The easy comparison would be Spinal Tap, but Anvil is not just a comedy about a metal band dealing with obscurity. It does what all great documentaries do: delves beneath the surface material to tell a resonant human story. Anvil makes you care about the band and its fate, regardless of your musical interests.